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2020
The journey 48 Addendum: other likely areas of worship dedicated to goats 53 6. Traces of the Past-Second Expedition 56-61 Alfredo and Angelo Castiglioni The prehistoric sites documented during the expedition 56 vi 7. The Journey to Onib Crater (el-Hofra) 62-67 Alfredo and Angelo Castiglioni The route The Onib crater A Beja village 8. The Nubian and Pharaonic Ceramic Materials Summary Bibliography 214 viii List of Tables 8. The Nubian and Pharaonic Ceramic Materials 8.1. Distribution of generic Middle Nubian (MN), Kerma (K), Pan-Grave (PG), Gash Group (GG) and 79 Egyptian (EG) materials in the sites going back to Protohistoric phase. To be noted is the frequent co-occurrence of different cultural components at the same site. 9. Imported wares in the Sudanese Eastern Desert: finds from the CeRDO Survey 2004 9.1. Distribution of the different ceramic classes of the CeRDO 2004 expedition. 86 10. Preliminary study of the macro-lithic tools collected by CeRDO in the Sudanese Eastern Desert List of Figures 8. The Nubian and Pharaonic Ceramic Materials 8.1. a) wall sherd of an open bowl with traces of coiling technique from site RD8; b) rounded base of a vessel from site RD22; c) pointed base of a vessel from site AP; d) rim sherd of a bowl with wavy incised decorative pattern from site U2; e) rim sherd of a bowl with impressed wavy decoration from site U9 (scale in cm). 8.2. a-b) body sherds decorated with incised arches from site U14; c-d) body sherds decorated with impressed arches from site U14; e) body sherd decorated with densely packed lines of bosses from site V (scale in cm). 8.3. a) rim sherd of a bowl with a pivoting stamp technique decoration resulting in a herringbone pattern from site R65; b) rim sherd of a bowl decorated with a rim band and a packed pattern of dots obtained with pivoting stamp technique from site R35; c) rim sherd of a bowl decorated with pivoting stamp technique resulting in a more spaced pattern of dots from site ED22; d) rim sherd of a jar decorated with a rim band and a packed pattern of dots obtained with pivoting stamp technique from site U2; e) rim sherd of a bowl decorated with a rim band and a packed pattern of dots obtained with pivoting stamp technique from site AQ (scale in cm). 8.4. a) fragment of a rippled ware black topped ware cup from site RD19; b) rim sherd of a closed cup with rim band of notches and herringbone incised pattern from site D3 (drawing by K. Sadr, see Sadr et al. 1993, fig. 4.3); c) fragment of the body of a vessel with rocker plain pattern from site AH; d) rim sherd of a closed bowl with thickened rim decorated with rocker plain pattern from site D5 (drawing by K. Sadr from CeRDO 1994) (scale in cm). 8.5. a) rim sherd of a bowl with wiped surfaces and notches on the lip from site R43; b) rim sherd of a jar decorated with patterns of spaced parallel shallow lines from a site in the Wadi Tonaidba (U18); c) rim sherd of a scraped bowl with regular notches on the lip from site RD3; d) rim sherd of a cup with spaced rows of very regular light notches on the external surface from site RD3; e) body sherds of vessels decorated with bands of parallel spaced comb impressed notches from a site in the Wadi Tonaidba (U18) (scale in cm). 8.6. Pierced ceramic disk usually associated with Clayton rings, from site 42 near Jebel Umm Nabari (scale in cm). 8.7. a) rim sherd of a bowl decorated with horizontal incised lines on the body and small impressed notches on the top of the rim from site U19 in the upper Wadi Elei; b) body sherd of a bowl with the body covered by incised lozenges or triangular sectors filled with parallel oblique incisions from site AL; c) rim sherd of a bowl with a band of incised crossing lines covering the upper part of the body from site R65; d) rim sherd of a black topped bowl with a slightly "S" profile, and with crossing bands of oblique lines covering the upper part of the vessel from site U5; e) wall sherd of a bowl with a band of oblique incisions framed by accurate horizontal bands of notches covering the upper part of the body from site R49; f) rim sherd of a bowl with a rim band of oblique crossing incisions forming triangles from site U16 (scale in cm). 8.8. a) rim sherd of a black topped cup with a red band interrupting the black one below the rim from site AH; b) rim sherd of a jar with horizontal grooves covering the body and multiple rim bands of oblique incised irregular notches from site D3 (drawing by K. Sadr, see Sadr et al. 1993, fig. 4.3); c) sherd of a bowl with slightly everted thickened triangular in shape rim with oblique crossing incised lines from site ED16; d) rim sherd of a bowl with slightly everted, thickened, triangular in shape rim and lightly oblique grooves from site ED16; e) body sherd of a vessel decorated with almost horizontal irregular roughly parallel lines on the external surface from site U14; f) wall sherd of a bowl with rounded base reinforced by a stratum of clay from site U9 (scale in cm). 8.9. a) rim sherd of a black topped bowl with rim band consisting of a double zigzag line and notches on the lip from site U18 in the Wadi Tonaidba; b) rim sherd of a bowl with rim band consisting of impressed notches from site U18 in the Wadi Tonaidba; c) scraped body sherd from site RD18; d) body sherd with finger nail decoration from site RD15; d) body sherd of a Marl A3 jar from site U13; e) fragment of body of Marl A3 vessel from site U13; f) (scale in cm). 8.10. a) fragment of multi-footed vessel decorated with triangles filled by crossing parallel incisions forming an "X-motif" from site R37; b) fragment of multi-footed vessel decorated with panels of notches framed by incised lines from site R37; c) rim sherd of a cup with rim band consisting of alternatively oblique incised parallel lines associated with oblique bands of parallel incised lines apparently covering a large portion of the vessel from site R68; d) rim sherd of a cup characterized by a pattern of bands of notches framed by parallel incised lines associated with a rim band of alternatively oblique incised parallel lines from site R38; e) rim sherd of a cup characterized by incised "X-motifs" forming a band of xx panels below the rim from site R 57; f) rim sherd of a large closed bowl with thickened and pointed rim, decorated by a band of impressed comma-shaped notches from site R16; g) wall sherd decorated with a pattern of impressed comma-shaped motifs from site U14; h) wall sherd decorated with a pattern of framed bands of crossing lines associated with other geometric zoned incised decorations from site U19; i) sherd with a pattern of incised multiple superimposed "waves" from site R26 (scale in cm). 8.11. Graph showing the frequencies of sites of the different phases recorded in the CeRDO explorations in the Sudanese Eastern Desert. 9. Imported wares in the Sudanese Eastern Desert: finds from the CeRDO Survey 2004 9.1. Satellite image of the study area (Landsat Copernicus, Google Earth 2017). 9.2. GIS elaboration of the study area with the geolocalization of the sites recorded by the CeRDO expeditions, as well as all the sites, oases, wells, wadis and details from ancient geographical maps with information about the trajectory of caravan routes and the location of old towns. From these sources combined, it emerges that the caravan routes followed the course of the wadis to avoid the obstacles presented by mountains along the route and passed near wells and oases that enabled survival in the desert (Ciusani et al. 2017). 9.3: Mine Site R39. 9.4. Fresh fractures of samples 1-7, left macro, right digital microscope, 100x. 87 9.5. Fresh fractures of samples 8-16, left macro, right digital microscope, 100x.
Iraq, 1988
... The Uruk period is one of the most fascinating in the archaeology of the Near East. ... in quality between these and all other vessels of the Uruk period is an objection to the "table-ware" idea. The porosity of the ware might render the bowls unsatisfactory for the making of yoghourt. ...
M. Gruber, „…somewhat smaller and shallower“ – The development of Conical Bowls in third millennium Mesopotamia, in: R. Dittmann – G. Selz (Hrsg.), It's a Long Way to Historiography of the Early Dynastic Period(s), AVO 15 (Münster 2015) 129-167, 2015
Ceramic miniature vessels appear in great numbers in funerary contexts; also in rare cases among burial goods placed in the burial chamber, but especially as votive offerings of the funerary cult. In the second case, they can number in hundreds to thousands of examples found in the cultic areas (such as chapels or niches) or in their close vicinity – despite their cultic function, they were not too highly valued, and after being used, they were simply discarded (i.e. Reisner 1931, 228; Junker 1950, 19–20; Charvát 1981, 150). Among the main groups, the two predominant ones are those known as miniature bowls/plates and miniature cups. There is one significant difference between them - miniature bowls are found in greater numbers and only in a limited amount of types (convex, concave, tubular, etc.), while miniature cups as a rule are much fewer but fall into more various types. The general shape of a miniature cup, with a differently modelled upper body but always with a tall foot, has attracted little attention as it does not seem to have a direct model in full-size vessels. However, this paper proposes a different approach to the question of the morphological origins of the miniature cups – namely not as copies of individual full-size vessels but as miniaturized versions of a combination of ritual vessels used in the funerary cult. During the offerings, food was very likely placed in bowls situated on tall stands in front of the false doors or cult niches. As means of a functionalist simplification and the ever-present ancient Egyptian practicality, miniature cups replaced real offerings consisting of actual food and full-size vessels. In such a cult, the variety in the shapes of the cups reflects the variety in the bowls, such as carinated (Meidum) bowls, bowls with bent-sided walls, with a contracted rim and others. Thus, miniature cups can be seen as a further simplification and economic approach to the funerary cult. Charvat, P. 1981. The Pottery. The Mastaba of Ptahshepses, Prague: Charles University in Prague. Junker, H. 1940. Gîza IV. Die Mastaba des KAjmanx (Kai-em-anch). Wien – Leipzig: Holder–Pichler–Kempinski. Reisner, G.A. 1931. Mycerinus. The temples of the Third Pyramid at Giza, Cambridge, Mass.: Harvard University Press.
Kelly-Buccellati, M., and W. Shelby. 1977. “Terqa Preliminary Reports No. 4: A Typology of Ceramic Vessels of the Third and Second Millennia.” Syro-Mesopotamian Studies 1 (6): 171–236. https://doi.org/10.6084/m9.figshare.8294069.
Fragments from a group of stamped and painted pictorial bowls dating to the sixth and early seventh centuries A.D., have been found at numerous sites in middle and northern Jordan. While they are of considerable interest both to the archaeologist and the art historian, they have been poorly understood and scantily published. Recent excavations, in particular at Jerash, have begun to redress this situation, and the writer is at present engaged in a detailed study of the group as a whole.' The bowls are commonly referred to as "Jerash Bowls", largely because they were first identified at that site during the Yale excavations of the late 1920's and early 1930's and were recovered there in considerable quantity.2 Further excavations and recent research have confirmed this attribution.
Ägypten und Levante, 2009
Base-Ring I ware (twenty-three sherds)-except the handle of a jug (No. 24) that is a Base-Ring II. This pottery is fully described below, in The Catalogue. The Base-Ring I ware mainly includes sherds from closed shapes. Juglets (Nos. 1-3, 5-7, 12, 15, 18, 21 and 23) and jugs (Nos. 8-11, 20 and 23) are the representative shapes. Open shapes are attested by fragments of five bowls (Nos. 4, 13-14, 17 and 19), two of them rim sherds of carinated bowls (Nos. 17 and 4), and a krater (No. 16). None of the fragments has preserved the wish-bone handle which is a typological characteristic of the bowls. The Base-Ring ware is handmade. The fabric is sandy, with a fine or fine to medium groundmass, mainly with few to abundant amounts of quartz particles (between 0.25 and 0.50 mm), and with few (sometimes medium) small crushed limestone particles. The walls are very thin and the surface very fine. The wall thickness of juglets, jugs and bowls is between 0.25 and 0.35 cm, 0.4 cm in the krater. The surface is burnished with matte, low, medium or high lustre. According to the classification made by Sarah Vaughan, 2 the Base-Ring I sherds from Tell el-Dab c a belong to four wares: 1) Base-Ring Slipped-in the variations of Black Matte, Burnished and Metallic, and Brown Burnished; 2) Red Burnished Slipped; 3) Brushed Coated-as Black Matte, Brown Matte and Burnished, and Red Burnished-, and 4) Uncoated. It is a classification more related to the surface treatment than to the fabric itself. Due to the fragmentary condition of the Base-Ring wares from c Ezbet Helmi, few conclusion can be made from a typological point of view. The carinated bowl No. 17 (8956S 1-5 , Fig. 3a:1, Plate 2:4), 3 of 16 cm rim diameter and 0.25 to 0.3 cm wall thickness, preserves the section quite complete, but the base is missing. This bowl belongs to the Brushed Coated Brown Matte Slipped ware, decorated on both surfaces with a burnished matte mottled slip from reddish brown to weak red and red. It is the most complete shape of all the BR I from these two areas of c Ezbet Helmi. Other shapes are: 1) the rim of a bowl (No. 4, 8953U, Fig. 1: 4, Plate 1:3), 14 cm in diameter, which preserves the beginning of the carinated wall. It belongs to the Base-Ring Slipped ware, with a medium lustre Black Burnished Slip (dark grey) outside and inside; 2) the body sherd of a bowl (No. 13, 8902J, Fig. 2: 5), 0.25 cm thick and nearly 14.5 cm of maximum diameter, with a horizontal straight ridge that usually decorates, below a wave ridge, the hemispherical bowls. 4 It belongs to the Base-Ring Red Burnished ware with high lustre red slip; 3) the fragments of two pinched ring-based jugs of the Black Burnished Slipped ware. The first one, No.
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